The Everson Museum of Art will host the work of sculptor Nancy Jurs in an exhibition titled 50/50: Nancy Jurs, Feb. 7 to May 3. This exhibition will utilize the Everson's landmark I.P Pei building by displaying Jurs' work both inside and out.

"Nancy Jurs has built an impressive body of work during her 40 year career," said Debora Ryan, Everson Museum of Art Senior Curator. "We are excited to

bring such a dynamic exhibition of sculpture to Syracuse."

Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses

female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the

figures but to symbolize renewed confidence and strength in a post-Sept. 11, 2001 world. Undaunted (2003), which is part of the Armor Series, was acquired by the Everson Museum of Art in 2004.

Also on view will be Triad, a monumental ceramic sculpture originally commissioned by the Greater Rochester International Airport in 1995. The 16-foot high sculpture is composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting

totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

In her recent work, Jurs embraces what she refers to as d (c)tournement, reincorporating past work and found objects into current installations thereby evoking new meaning. Jurs has created an 18-foot wall installation using lint systematically retrieved from her clothing dryer over the past 40 years. The colorful lint pads, in both circular and rectangular forms, are sewn on to vertical mesh strips, proclaiming her artist statement in Morse Code: "My life has gotten so busy, it now takes up all of my time."

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